Wednesday, December 30, 2009

Awesome End of the Decade Village Voice Article

http://www.villagevoice.com/2009-12-22/music/the-decade-in-music-genre-hype/1

This Village Voice article by Christopher R. Weingarten details the rise and fall of numerous micro genres over the last decade thanks to the birth of the internet.

My favorite part is the ridiculous examples of horrible music critic writing (particularly by the biggest culprit of overly romanticized praise, Pitchfork).

Wednesday, December 23, 2009

Alan Parsons Project - Tales of Mystery and Imagination




Artist: Tales of Mystery and Imagination
Album: Alan Parsons Project
Genre: Prog-rock, Concept
Release Date: 1975
Label: Mercury

Rating: *****

A concept album based on Poe's literature, including songs based on his poems with lyrics constructed around quotes from his writings. Alan Parson's Project's interesting style of prog-rock (of which I refer to as "production prog") holds more focus on synthesizers and deep well-thought out layers of sound than fancy high brow instrumentation. However they maintain conceptual motives and a certain "artiness" to the whole affair. But, "Tales of Mystery and Imagination" is first and foremost an album of striking mood, that of down, right ice cold terror. No other album has ever made me more afraid to be alone listening to than this, with disturbing psychotic vocals (as on "Tell Tale Heart") and booming sudden musical crescendos and decrescendos (as on the classically driven 5-part instrumental overture, "Fall of the House of Usher"). Although Alan Parsons Project does utilize a number of expected cliches, such as thunder sound effects and a spoken word intro by Orson Welles, all of these are effective--and only further build the mood. And unlike lots of early synth work, nothing sounds very dated here (one would expect the altered vocals of "The Raven" to annoy, but they are indeed quite timelessly disturbing). Highly, highly recommended.
  1. A Dream within a Dream ****
  2. The Raven *****
  3. The Tell-Tale Heart *****
  4. The Cask of Amontillado ****
  5. (The System of) Doctor Tarr and Professor Feather *****
  6. Fall of the House of Usher (Overture) *****
  7. To One in Paradise ***


Tuesday, December 22, 2009

Eddy Grant - Electric Avenue

Can't... get... this song... out of my head....

Friday, December 18, 2009

In the Christmas Groove



Artist: In the Christmas Groove
Album: Various Artists
Genre: Funk, Holiday
Release Date: Sep 29, 2009
Label: Strut

Rating: *****

I can't give this the most honest review, as I'm no deep funk expert, but I have to say the concept is excellent--it is a compilation of Christmas themed funk songs to get your groove on with your loved ones this holiday season. If you are looking to boogie down, get ready to dance. A very enjoyable listen all the way through, featuring some well known funk stars such as Jimmy Reed, as well as many forgotten artists. Songs often fuse familiar Christmas standards with a funk rhythms such as on "Auld Lang Style" and the amazing "Funky Funky Christmas".
  1. Christmas Present Blues ****
  2. Funky Funky Christmas *****
  3. Soul Santa *****
  4. Gettin' Down for Xmas *****
  5. Black Christmas *****
  6. Angel's Christmas ****
  7. Home on Christmas Day ***
  8. Boogaloo Santa Claus ***
  9. Christmas Morning *****
  10. Let's Get It Together this Christmas ***
  11. The New Year ****
  12. Auld Lang Style *****

Wednesday, December 16, 2009

Vybz Kartel - Up 2 Di Time













Artist: Vybz Kartel
Album: Up 2 Di Time
Genre: Reggae: Dancehall
Release Date: Oct 28, 2003
Label: Greensleeves
RIYL: Busy Signal, Mavado

Rating: ****

Vybz Kartel is one of the leading artists of a young generation of dancehall toasters of the new millenium. When this, his debut dropped, it was refreshing, filled with fantastic lyrics featuring excellent allusions and a great flow Vybz, busts his way through 19 tracks and nearly an hour of material. Ultimately this is the album's problem as some of the tracks are a bit forgettable. Regardless, it's an extremely strong effort with plenty of highlights and no truly bad songs. Vybz tastefully uses hip-hop fusion in places such as on the catchy "Start Well", however, the majority of the album is straightforward dancehall. Many lyrics are typical of the genre, tales of sexual prowess and murder, but the occasional social critique (such as on "Who Knows") appears along with the surprisingly mature feminist "Why Again" where Vybz attacks the treatment of woman by gangster culture. On the absolutely genius "Robbery", Vybz Kartel disses almost every major old jamaican artist out there (including Buju Banton, Beres Hammond, Beenie Man, and Mad Cobra among others) by telling a fake narrative of robbing each of them by gunpoint. He keeps the song tastefully playful by telling us in the chorus "This ain't serious". It's this creativity and skill that puts Vybz a head above the rest contemporary dancehall has to offer.
  1. Badman Party ***
  2. Tattoo ****
  3. Good Inna Clothes ***
  4. Sweet to the Belly *****
  5. Kartel & Kardinal ***
  6. Sen On ****
  7. Di Way We Roll ****
  8. Badman Nah *****
  9. New Millenium ****
  10. Robbery *****
  11. Live U Life ****
  12. Why Doing It ****
  13. Start Well *****
  14. Pussy Jaw ****
  15. A.K.A. ***
  16. Who Knows ***
  17. Why Again *****
  18. Buss It Off ****
  19. Bonus: Freestyle *****

Midwestern Decline










Blog for Midwestern hardcore/punk/metal news, shows, and releases. Check it.

Sunday, December 13, 2009

Snoop Dogg's Music Videos

He is a music video genius:
Sexual Eruption (2008)
Gangsta Luv (2009)

Favorites of the Decade (2000s)

I make no claims the following are the best albums of the 2000s, but I will say they are my favorites, the one's I've listened to the most if I don't lie to myself. This list is extremely subjective, and subject to change, as there's so many gaps in my listening that I plan to fill. Regardless, it is an interesting thing to think about music in the now, and so without further ado, I present my top ten for the '00s:

10. Cadence Weapon - Breaking Kayfabe (2008): Cadence Weapon's debut sound was refreshing, and remains one of my favorite hip-hop albums of the decade.








9. Ratatat - Classics (2006): Today they have a bit of a bad rap due to their popularity. And due to overplaying, today I find myself tired of their sound. But if I remind myself how much I used to listen to "Classics", when there was still an air of being underground and fresh to their sound, I have to include this on the list.







8. Listener [Project] - Return to Struggleville (2007): Poetic and beautiful, Listener's album is one of my favorite underground works. His "talk music", is honest, simplistic, and inspiring.








7. Yndi Haldi - Enjoy Eternal Bliss (2007) - My favorite album from my instrumental post-rock days, and one of the few I still listen to. Beautiful and epic.










6. Lightning Bolt - Hypermagic Mountain (2005): Lightning Bolt is endlessly intense. I remember listening to this for weeks after I first got it in the mail, and I couldn't bear staying still in my chair listening to it's frantic attacks. My favorite noise work of the last decade.







5. Kings of Leon - Because of the Times (2007): Today, the Kings of Leon are huge. Everyone has heard of them. But this was not always so. Pre-2008, and basically selling their sound out with indie pop fusion (which isn't entirely awful, but certainly is frustrating) very few knew this garage band from Nashville. Aggressively gruff and with a punk aesthetic, I fell in love with their first album. It may have been the first album I ever loved. And so I bought their second and their third. And I was delighted with this album. Suddenly mature, aggressive and often dark but still preserving their older garage sound I listened to it hundreds of times. Thinking about it only makes me sadder about the direction they have chose with their music.

4. Fugazi - The Argument (2001): Fugazi finally culminates their sound into perfection on this album. After years of making amazing music, this album is quite possibly their best. A post-hardcore masterpiece.








3. Converge - Jane Doe (2001): I haven't had this album very long. But I've listened to it many times already. I've been informed about it's importance and immediate influence on Metalcore and the current underground scene, and upon the first listen I could see why. This album is lyrically and musically perfect.







2. Q-Tip - The Renaissance (2008): I've said many times it was my favorite album of 2008. And upon further inspection it's my favorite rap album of the decade. Mind blowing production and flow shows what a veteran hip-hop artist like Q-tip can do. You can check out the review I've posted up about it for more information.






1. Buju Banton - Unchained Spirit (2000): With this album, Buju Banton perfected his spiritual sound. The opening 3 tracks are musical perfect. The middle features some of his best feel-good dancehall. Although it's taken a lot of listening, I believe this album has finally emerged as my favorite of Banton's work... and since Buju is my favorite artist of all time, that puts it on a pretty high pedestal. I don't just enjoy this album's entertainment value, it literally has influenced me spiritually and philosophically, and shivers go down my spine for its opening 15 minutes or so.

Runner Ups:
Andrew WK - I Get Wet (2001)
Beck - Sea Change (2002)
Roots - Phrenology (2002)
Outkast - Speakerboxxx/The Love Below (2003)
Vybz Kartel - Up 2 Di Time (2003)
Busdriver -Cosmic Cleavage (2004)
Franz Ferdinand - Franz Ferdinand (2004)
Sizzla - Jah Knows Best (2004)
Thievery Corporation - Cosmic Game (2005)
Avishai Cohen - Continuo (2006)
This Will Destroy You - Young Mountain (2006)
Andy D - Choose Your Perversion (2007)
Busman's Holiday - Old Friends (2008)
Buraka Som Sistema - Black Diamond (2008)
Mr. Oizo - Lamb's Anger (2008)

Album Continually on These Lists that I Just Don't Get:
Radiohead - Kid A (2000): Seriously this isn't nearly as good as Ok, Computer (1997) and sometimes I even feel like arguing that In Rainbows (2000) is better. A far from perfect album, it's actually rather boring at parts.

Saturday, December 5, 2009

Deastro - Keepers




Artist: Deastro
Album: Keepers
Genre: Indie Electronic, Synth-pop
Release Date: Nov 18th, 2008
Label: Ghostly International

Rating: **

A collection of home recordings by Detroit, Michigan artist, Randolph Chabot (pseudonym: Deastro). Synthesizers, midi sounding bass and drum lines (sometimes resembling video game music, as in "Light Powered"), and Deastro's emo-like vocals add up to a general warm washy feeling. It is a solid and original style and there are a number of impressive tracks on this album. However, the material is largely hit and miss. Quality jumps around as one listens, from the fantastic to borderline awful (but there's always a certain sincerity to every song that saves them from being unlistenable). This can likely be attributed to the time span of the recordings, and the home demo nature of the album (which has it's advantages as well). I should also note that I have seen Deastro live, and he puts on a good, energetic show (much better than this collection recording at least). And if I gave stars based on album cover artwork, this would be a definite 5.
  1. Michael, the Lone Archer of the North Shore ****
  2. The Shaded Forests *****
  3. Light Powered *****
  4. The Goodman of the House ***
  5. The Green Harbor ***
  6. Wind Powered ****
  7. The Floating Cradle **
  8. Leah's Daughter the Giraffe **
  9. Open Up Ye Dark Gates ***
  10. Child of Man, Son of God *


Sunday, November 29, 2009

Q-Tip - The Renaissance




Artist: Q-Tip
Album: The Renaissance
Genre: Rap/Hip-Hop
Release Date: Nov 4, 2008
Label: Universal Motown

Rating: ***** https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEievPUrhOWoXzlfDkDGU0-Iv-IIGnyH_SodLIs5k8jM7XKp2tFNPFsnzbPHcUF5AK0ItfbyIZhAVLhVIvHvXsNgwm8cSZ7xDsi7uJ_kiUjuAFYMvmZ_GHYIyx58mlVjPKdUKXZWrjGns6g/s1600/production.bmp

Q-tip's The Renaissance, is more than likely my personal favorite album of 2008, and an under appreciated rap masterpiece. Providing his own production skills and incredible flow, the album is endlessly smooth, but never offensively so. Excellent use of R&B choruses are featured throughout. This is indeed one of those albums without a bad song on it, full listens are always a requirement. The standout track is "Move", simply because it's actually two amazing songs in one, the first half being "Move" itself, followed by the title "Renaissance Rap". Great cameos occur throughout the album, including the likes of Norah Jones on "Life is Better". The powerful "Shaka" closes the album as a dedication to Q-tip's lost friends and colleagues.
  1. Johnny is Dead *****
  2. Won't Trade ****
  3. Gettin Up *****
  4. Official *****
  5. You ****
  6. We Fight/We Love *****
  7. Manwomanboogie *****
  8. Move/ "The Renaissance Rap" *****
  9. Dance on Glass ****
  10. Life is Better *****
  11. Believe ****
  12. Shaka *****

Jenn Grant - Echoes



Artist: Jenn Grant
Album: Echoes
Genre: Folk, Singer/Songwriter
Release Date: Feb 23, 2009
Label: Six Shooter Records
RIYL: Feist, Neil Young

Rating: ***

Canadian singer/songwriter Jenn Grant plays acoustic folk with jazz influenced vocals. The sounds of chimes and symbols as well as violin are here, your standard set ups for a modern pop folk album. Grant's voice is very beautiful indeed, however the album is a bit too predictable. And for a singer/songwriter approach, the lyrics are far from interesting to mull over. "Only Love Can Break Your Heart" is a great Neil Young cover. The best tracks here step out of Grant's box she's set up for herself a little, such as the fantastic "Parachutes", which features a great use of back-up singers and a speedy rhythm. There's nothing explicitly wrong with this album, and ultimately that's it's weakness - it's just a little two clean (which is what separate's Grant from her apparent idol, Young, someone who isn't afraid to make a few mistakes) Bonus points for really great looking cover art, however.
  1. Heartbreaker *****
  2. You'll Go Far ***
  3. Where Are You Now ***
  4. Blue Mountains *****
  5. Parachutes *****
  6. I Was Your Woman ***
  7. (I've Got) The Two of You ***
  8. Sailing By Silverships ****
  9. Fireflies ****
  10. Hawaii ****
  11. Only Love Can Break Your Heart *****
  12. Everybody Loves You ****
  13. I'll See You Again (Int.)

Jimi Tenor & Tony Allen - Inspiration Information Vol. 4



Artist: Jimi Tenor & Tony Allen
Album: Inspiration Information V. 4
Genre: Afrobeat, Jazz
Release Date: Oct. 16, 2009
Label: Strut
RIYL: Fela Kuti, Nomo, Gil Scott Heron

Rating: ****

The fourth title in the Inspiration Information series, in which Strut brings together two unlikely collaborators in order to make an album. This time it's Finnish musician, Jimi Tenor, and afrobeat drumming legend, Tony Allen (of Fela Kuti fame). Together they bring about some very strange world fusion jazz. Often the album leans towards a solid afrobeat sound (as on "Sinuhe" and "Got My Egusi") but will just as quickly become extremely experimental as on the very odd but effective indeed, "Path of Wisdom" in which spoken word vocals remind one of Gil-Scott Heron and the Last Poets. The work is funky, jazzy, and mysterious. It is frequently brilliant, despite the awful, "Against the Wall", in which Jimi Tenor becomes a bit too experimental (he tries and fails to rap). Highly recommended.
  1. Against the Wall **
  2. Sinuhe *****
  3. Selfish Game ****
  4. Path To Wisdom *****
  5. Darker Side of Night ****
  6. Mama England *****
  7. Got My Egusi ****
  8. Cella's Walk ***
  9. Three Continents ***

Tuesday, November 24, 2009

Buju Banton - Too Bad (2006)




Artist: Buju Banton
Album: Too Bad
Genre: Reggae: Dancehall
Release Date: 2006
Label: Gargamel Music
RIYL: Sizzla, Beenie Man

Rating: *** https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEievPUrhOWoXzlfDkDGU0-Iv-IIGnyH_SodLIs5k8jM7XKp2tFNPFsnzbPHcUF5AK0ItfbyIZhAVLhVIvHvXsNgwm8cSZ7xDsi7uJ_kiUjuAFYMvmZ_GHYIyx58mlVjPKdUKXZWrjGns6g/s1600/production.bmp

Buju Banton is one of the greatest dancehall artists of the 90s. Along with Sizzla and Capleton, he helped create the roots dancehall movement. This album, however, is a return to old form for Buju, it is entirely a dancehall album, lacking any of the spiritual music he is well known for. Booming bass lines make for a great driving album. Filled with songs for the ladies and party numbers, it contains no social critique (other than the final song "Fast Lane"). Regardless, Buju's skills as a toaster and a DJ remain impressive. His use of the "Wipeout" song as backing for his aggressive toasting on the stand out track, "Me & Oonu", make for an exhilarating listening experience. However, regardless of a number of good to great songs none of the tunes on this album stand up to the best dancehall songs on his roots albums (1995's single "Champion" comes to mind). It's greatest fault is perhaps that there just isn't as much variety here as one has come to expect from a Buju Banton LP.Recommended for general fans of dancehall, but those more interested in Buju's roots work should stick to his other albums.
  1. You're Night Tonight ****
  2. Try Offa Yuh *****
  3. Nothing ***
  4. Too Bad ***
  5. Waistline ****
  6. Jig **
  7. Me & Oonu ***** https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEievPUrhOWoXzlfDkDGU0-Iv-IIGnyH_SodLIs5k8jM7XKp2tFNPFsnzbPHcUF5AK0ItfbyIZhAVLhVIvHvXsNgwm8cSZ7xDsi7uJ_kiUjuAFYMvmZ_GHYIyx58mlVjPKdUKXZWrjGns6g/s1600/production.bmp
  8. 'Till It Bend ****
  9. Hey Boy **
  10. Go Slow ***
  11. Driver A. *****
  12. Girl U Know ***
  13. Lonely Night ***
  14. Who Have It ****
  15. Better Day Coming ***
  16. Don & Dupes ***
  17. Fast Lane ****


Monday, November 23, 2009

Gregory Isaacs - Consequence (1990)



Artist: Gregory Isaacs
Album: Consequence
Genre: Reggae: Lover's Rock
Release Date: 1992
Label: Rohit Records
RIYL: Dennis Brown

Rating: **

First, I must admit some bias, I am absolutely in love with Gregory Isaac's Night Nurse. It is one of my favorite albums of all time. I had not heard any of his other work before listening to Consequence, and so naturally Night Nurse is all I could compare it to, and I must admit that album is a very hard one to live up to. However, I can't help but feel I'm correct despite the bias in thinking that Consequence is not that good of an album. Isaac's voice has apparently gone down hill since '82. He sounds more like a toad than the beautiful crooner he was on Night Nurse. Compared to Roots Radics' amazing backing, this album has occasionally decent, often terrible instrumentals (sometimes utilizing uninspired dancehall production as on "Can't Give My Love Alone"). I will admit that it does open with a three or so good numbers ("Just Another Finger" is a fine song indeed), but it quickly turns to a mess of uninteresting songs. The song that the title comes from "Who's Gonna Pay the Consequence" is nigh unbearably boring with Gregory Isaac's barely enunciating his lyrics. Not recommended.
  1. Getting Out of My Range ****
  2. It's Too Late ***
  3. Just Another Finger *****
  4. Solitary Confinement ***
  5. African Woman **
  6. Who's Gonna Pay the Consequence *
  7. Weeping Eyes *
  8. Can't Give My Love Alone *
  9. That Lady **
  10. Don't Wanna Be Lonely **

Death Vessel - Nothing is Precious Enough for Us (2008)




Artist: Death Vessel
Album: Nothing is Precious Enough for Us
Genre: Contemporary Folk, Singer/Songwriter
Release Date: Aug 19, 2008
Label: Sub Pop

Rating: ****

A wonderful album of modern folk. It is filled with acoustic and electric guitar, piano banjo, fiddle, and a variety of other interesting sounds. Those of you that may dismiss the album from it's title as a cutesy indie album trying to be endearing you are dead wrong. The music here is clearly very honest. And although the album is largely dominated by Death Vessel's soft (and very beautiful) voice, the Joel Thibodeau is not afraid to transition songs into blaring noisy guitars and thundering snares (as in "Bruno's Torso"). The album opens with the incredibly strong "Block My Eye", and although none of the other songs quite stand up to it they are all fairly good to great regardless (although the second half does taper off a bit).
  1. Block My Eye *****
  2. Jitterarkadie *****
  3. The Widening *****
  4. Bruno's Torso *****
  5. Obadiah***
  6. Exploded View**
  7. Fences Around Field **
  8. Peninsula ***
  9. Circa *****
  10. Belt of Foam **
  11. Untitled **